John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.)

Identifieur interne : 000152 ( Main/Exploration ); précédent : 000151; suivant : 000153

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John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.)

Auteurs : David Pinto

Source :

• Music and Letters [ 0027-4224 ] ; 2005.

RBID : ISTEX:04958CDB54591573AACF1291F4371A6D9F523480

English descriptors

• Entity :
  • pers : Alfonso Ferrabosco, Andrew Ashbee, Christ Church, D. S. Field, Edmund H. Fellowes, John Barnard, John Bennet, John Browne, John Donne, John Hilton, John Morehen, John Rice, Joseph Warren, Magdalen College, Mary Chan, Michael, Morehen, Mus, Nicholas Yonge, Orlando Gibbons, Richard Nicholson, Shaw, Thomas Morley, Thomas Tomkins, Walter Savage, William Byrd, William Camden, William Heyther, William Mundy, Willis.
  • place : Cambridge, DC., Oxford, St Margaret, Washington.
• Teeft :
  • Abbey document first, Acquaintance thomas morley, Adventurous catalogue, Aldrich bequest, Alfonso ferrabosco, Altus part, Andrew ashbee, Anglican service, Appreciatory verse, Approach prototype, Augustan pastoral motif, Ayres, Bodleian library, Brief account, British library, Bulbous note form, Cambridge degree, Cantus part, Career centred, Cautious harmonic palette, Chapel composer, Chapel royal, Chief source, Chord such, Christ church, Chromatic inflection, Church musick, Clear internal evidence, Clear link, Collating exemplar, College cambridge, Commendatory verse, Connection vague, Contemporary manuscript copy, Continuo stiffening, Copy part, Correct original, Declamatory english style, Dedicatory epistle, Deus omnipotens, Different order, Domestic dialogue, Domestic performance, Domine jesu christe, Dual service, Earliest list, Early eighteenth century, Early stuart puritan opposition, Early talent, Easie introduction, Editorial reconstruction, English composer, English madrigal school, English madrigal verse, English music, English paraphrase, Ensemble part, Entrepreneurial riposte, Eventual gain, Everpresent companion, Fascinating collection, Fastidious handling, First section, Folger shakespeare library, Full critical commentary document, Further hilton, Good cheer, Great abbey, Great almonry, Great consideration, Greater decorum, Greater spontaneity, Hand copying, Hand correction, Heyther, High church context, Hilton, Imitative passage, Imitative point, Immethodical copy, Inaugural master, Inaugural volume, Insignificant feature minor departure source reading, Instrumental music, Instrumental repertory, Instrumental tuition, Intractable performance problem, John bennet, John browne, John browne clerk, John first book, John hilton, John manuscript british library, John morehen, John rice, Joseph warren, Keyboard accompaniment, Last year, Late elizabethan, Latin text, Latus eius, Least clue, Levavi oculos meos, Little change, Little sign, Looser end, Lower voice part, Magdalen college, Major personal beneficiary, Manuscript songbook, Many circle, Many editor, Many others, Mary chan, Meticulous care, Michael east, Minor genre, Minor inconvenience, Minor output, More homogeneous style, More likely, More sheer variety, More unassumingly, Multa flagellum peccatoris, Music letter, Music school, Musica britannica, Musical antiquarian society, Musical congeniality, Musical life, Musical time, Nicholas musica transalpina, Notable generosity, Occasional visitor, Option open, Orehen john hilton, Orlando gibbon, Other voice, Other volume, Overall range, Oxford music lecture, Parish church, Parish clerk, Pater fili paraclete, Pleasant madrigalian party, Popular chord, Possible addition, Prefatory material, Preparatory score, Present edition, Press variant, Presumable interest, Previous year, Printing flower, Public form, Public record office, Publisher capable, Questionable reputation, Real problem, Reconstructed cantus part, Richard nicholson, Richard rastall, Rowe music library, Royal absolutism, Sacred continuo dialogue unique, Same prayer, Scribal inclination, Show more, Single mistranscribed pitch, Sixth chord, Small price, Small similarity, Social scale, Sole source, Solid example, Something overcareful, Sound judgement, Spiral binding, State worship, Stock series, String music, Stylistic profile, Subsequent correspondence, Sudden change, Surer guide, Textual problem, Thin gruel, Third section, Third voice, Thomas tomkins, Tidy slice, Title page, Tripla episode, Unaccompanied performance, Understandable reluctance, Ungainly chord, Valuable redefinition, Versatile nymph, Verse anthem, Vocal music, Vocal range, Voice part, Walter savage landor, Watkins shaw, Westminster abbey choir, Westminster school, William anthem, William byrd, William camden, William heyther, Wind instrument, Winde instrument, Work attributable, Younger john hilton.

Url:

• https://api.istex.fr/ark:/67375/HXZ-N1GCDS39-K/fulltext.pdf

DOI: 10.1093/ml/gci131

Affiliations:

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Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000374
• to stream Main, to step Curation: 000372

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